December 4, 2014
 
Headed to Broadway

One of my favorite Shepard plays, FOOL FOR LOVE, will be coming to Broadway next year. The production staged at the Williamstown Theatre Festival in MA this summer was such a success that it will move to the Manhattan Theatre Club's Samuel J. Friedman Theatre. Directed by Daniel Aukin, the leads will again be played by Sam Rockwell and Nina Arianda. Performances will begin September 15, 2015 with opening night set for October 8. The story goes like this - "Holed up in a seedy motel on the edge of the Mojave Desert, two former lovers unpack the deep secrets and dark desires of their tangled relationship, passionately tearing each other apart. Beaten down by ill-fated love and a ruthless struggle for identity, can they ultimately live with, or without, each other?"

Sam says that his own experience of love inspired this play, which was written shortly after breaking up with his wife O-Lan and falling in love with Jessica Lange.

 
Photo additions

Here are a couple more photos taken on November 11th. In the first one, Sam strolls the sidewalks of New York with Stephen Rea and Derry journalist Mary-Louise Muir. The second was taken in the evening at the play's opening with another Irishman - yes, Liam Neeson.

 
November 24, 2014
 
What they're saying about "A Particle of Dread"

Theater critics are beginning to share their thoughts on this enigmatic play. Read the review excerpts. No one sounds too excited about the playwright's latest efforts but the reviews are speckled with positive comments, specifically about the cast and production. Most critics agree that:

  • It helps to brush up on your Sophocles.

  • It feels like one has been dropped into a CSI episode.

  • The word "riff" comes to mind - a rapid energetic often improvised verbal outpouring; especially one that is part of a comic performance.

  • It is frustratingly oblique rather than illuminating.

  • George Santayana's quote is true - "Those who cannot remember the past are condemned to repeat it.

  • It meets Signature's goal of presenting works that might otherwise not be seen in major productions and may satisfy die-hard fans of Shepard's canon.

Opening night saw some familiar faces, those of Liam Neeson, Bill Pullman, Olympia Dukakis, Donald Moffat and Salman Rushdie. Here's a photo of Sam last night with lead actor Stephen Rea and Artistic Director Jim Houghton.

 
On the sidewalks of New York...

The paparazzi caught up with Sam as he attempted to hail a taxi on October 26th.

But the more interesting photos were taken in Soho yesterday showing Sam with a mystery woman. Aha!

If they were walking with their arms around each other, I wouldn't deem it so serious but the fact is their fingers are entwined. You may remember back in May, I posted a photo of another mystery woman.  He seems to favor short women!

 
Just published

This month Michigan's Mavick Press published a strangely titled 53-page poetry collection called "I dreamt about Sam Shepard last night". This work of Swedish poet Ingela Strandberg has been translated into English by Göran Malmqvist. The photo cover comes from a scene in Sam's 2005 film, "Stealth". Strandberg has been characterized as "a fusion of Sylvia Plath and Elisabeth Bishop, but with a Swedish sensibility transported half a century forward." I was able to find this partial image of her Shepard poem. Interesting trivia... But you know what (laughing...), dreaming about Sam Shepard happens to be a very common occurrence among older women!

 
November 23, 2014
 
"A Particle of Dread" officially opens!

After two weeks of previews, the first reviews are trickling in. Here are some excerpts:

Linda Winer, Newsweek:
Mythic, mysterious and obscure... The 90-minute drama, another transfer from actor Stephen Rea's Field Day company in Northern Ireland, is one of the more sober and obscure collages among Shepard's 50-odd, deeply scary, weirdly primal, often amusing works. In many ways, this feels like a return to the playwright's experimental off Off-Broadway beginnings... Ancient myth mingles with Irish accents and desert-rat Americana in a play that is both compelling and pretty ponderous. Still, nobody but Shepard could have written it.

Matthew Murray, Talking Broadway:
If not for Shepard’s other tension-packing device, of intricately disrupting the timeline so that, at certain moments, you’re not sure who’s involved in the event you’re watching or when exactly it’s happening, there would be no notable deviations from the source at all. This doesn’t exactly kill the evening, but it also doesn’t help it — you’re going to take away very little, if anything, from A Particle of Dread that you wouldn’t from a solid version of Oedipus Rex...

For her part, director Nancy Meckler has kept the pacing sharp and the actors focused, though she’s not able to conjure surprise when Shepard doesn’t give her enough cues to do so. Nor has she made convincing use of Frank Conway’s portentous but head-scratching abattoir set or the live musicians who oversell the spooky factor through Martin’s banshee-noir compositions. Too often, the production seems to be trying to say too much, in too many different ways. The script suffers from the opposite problem - Shepard’s message would come through more distinctly and more powerfully if we could see how it’s evolved across the last few thousand years. Resetting the action in the America of today only takes him so far, and the play feels as though it wants to go further than he allows it.

Frank Scheck, The Hollywood Reporter:
This oblique intellectual exercise is likely to prove off-putting to all but the most adventurous audiences, although Shepard completists will no doubt want to catch the latest offering from the playwright's ever-restless imagination... Audience members will find themselves baffled at times by the juxtaposition of characters and situations, which seem to have been tossed into a blender and randomly reassembled.... Filled with comic digressions, the piece is frustratingly oblique rather than illuminating... Shepard's willful self-indulgence smacks more of an overeager university drama student than a seasoned playwright.

 
November 19, 2014
 
Photos from November 17 event

On Monday Sam and Stephen Rea appeared on stage at New Jersey's Centenary Community College for a public interview. Here are some snapshots from that evening though their clarity is poor.

 
November 14, 2014
 
NJ event

A public interview with Stephen Rea and Sam Shepard will take place at 7 p.m. on Monday, Nov. 17, in the Sitnik Theatre in the David and Carol Lackland Center, 715 Grand Ave., Hackettstown, NJ. The event is free and open to the public. "This is an amazing opportunity for members of the Centenary community and beyond to meet Stephen Rea and Sam Shepard," says Dr. James Patterson, Centenary College Provost and Chief Academic Officer. "It is a privilege to have them conduct a public interview here on our campus. This is an event that you won’t want to miss." For more information, call 908-852-1400, ext. 2238.

 
November 9, 2014
 
First shot of Sam in "Bloodline"

It seems rather crazy that publicity photos for Netflix's new drama series, BLOODLINE, would be found on web sites in Norway and Argentina and not the good old USA. Go figure...

 
From the playwright on his Oedipus Variations

"If you strip it away in a certain way, it's very American. It's very much about murder and rape and pillage - it's not a pretty play - but it certainly speaks to the horror of contemporary life."

 
November 7, 2014
 
Yes, we love our movie stars (which includes Sam!)

In a telephone interview last month with Signature Theatre, Sam was quoted as saying, "I'm very disappointed in the current state of theatre, especially in New York, about this whole business of not being able to move a play. You know, you have to have a movie star in your play in order to be able to sell tickets. People don't come to see plays, they come to see movie stars. And as a writer, it kind of turns your stomach." Wait a minute here. Actor Stephen Rea, who will appear in the upcoming A PARTICLE OF DREAD, is counted among the top 10 Irish actors according to Hollywood.com and having appeared in more than 75 films, he certainly qualifies as a movie star! I just saw him once more in Graham Greene's End of the Affair, and he never fails to impress me. I think our movie star did right to hook up with Mr. Rea. Here's how they met according to Sam.

"I left New York in the early '70s... I went to London because the fringe theatre was happening at that time. It was very eclectic and every exciting in the way that the original off-off Broadway was, and that's exactly what I was looking for. Stephen and I met at the Hampstead Theatre, which is also where Nancy [Meckler] originated, and she happens to be directing, so the whole thing was incredible, almost accidental. I'm very grateful."

Here are more rehearsal photos:

 
November 4, 2014
 
Nine more days!

We're days away from the NYC opening of A PARTICLE OF DREAD at the Signature Theatre. Here are a couple of photos of Sam mingling with his cast and crew plus a new poster.

FYI, here's a little history of Sam's presence at Signature Theatre. He began his collaboration with the theatre in 1996 as Signature's sixth Playwright-in-Residence. That season saw productions of When the World was Green, a collaboration with director Joseph Chaikin, The Tooth of Crime,  Curse of the Starving Class, and four of Sam's earlier one-acts: Chicago, The Sad Lament of Pecos Bill on the Eve of Killing his Wife, Killer's Head and Action.. Sam returned to Signature for the 2001-02 Tenth Anniversary Season for the New York premiere of The Late Henry Moss, and in 2012 helped usher in the first year in The Pershing Square Signature Center with his play Heartless.

 
October 23, 2014
 
Netflix drama coming in March

After all the hoopla over the past several months with Netflix boasting about Sam Shepard headlining their new series, it's rather disappointing to learn that he has hardly any screen time. So misleading!The IMDB lists him in ONE of the show's 13 episodes (does he die again? Think "August: Osage County") whereas Sissy Spacek appears in 7. At least the producers have finally given the series a name - BLOODLINE. All 13 episodes will premiere in March 2015 in all Netflix territories. The cast also includes Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Norbert Leo Butz, Jamie McShane, Jacinda Barrett and Enrique Murciano. Netflix gives the following description - "'Bloodline' is a dramatic thriller that explores the demons lurking beneath the surface of a contemporary American family. The Rayburns are hard-working pillars of their Florida Keys community. But when the black sheep son comes home for the 45th anniversary of his parents' hotel, he threatens to expose the Rayburns' dark secrets and shameful past, pushing his siblings to the limits of family loyalty."

 
October 17, 2014
 
Extended!

According to Broadway.com, the US premiere of A PARTICLE OF DREAD has extended its run at Off-Broadway's Signature Theatre. Performances will begin November 11 prior to an official opening on November 23. The run will continue through January 4, 2015 at The Alice Griffin Jewel Box Theatre. It had previously been scheduled to continue through December 21. Tickets during the extension weeks start at $75 each.

In an interview a year ago, Sam commented on this Oedipus story. His words might be useful to those interested in purchasing tickets especially since his plays are often unstructured.

"I'm a great believer in chaos. I don't believe that you start with a formula and then you fulfill the formula. Chaos is a much better instigator, because we live in chaos – we don't live in a rigorous form. This play has been miraculously pulled together by a really talented director, Nancy Meckler. Oddly, I worked with her 35 years ago and she's made some kind of sense of it. That seems to be the thing everybody wants – sense...  I don't believe in adaptation. I tried and I thought, eugh, I don't want to do an adaptation. I want to do a variation on. I want to do something with the emotions that the play is calling up. I want to take off on the feelings that the thing produces. If it doesn't produce those feelings, it's worthless, as far as I'm concerned. So in the case of Sophocles, he definitely calls up feelings. That's what you're adapting: the feelings, not form – the instincts and all the incredible things that are called up."

 
New posters

In conjunction with its home entertainment release, director Jim Mickle's noir thriller, COLD IN JULY, has several new quad posters.

 
New film project

Sam's next role on the big screen will be in the thriller, YOU WERE NEVER HERE, which marks the narrative feature film debut of former performance artist and documentarian Camille Thoman, who is directing from her own script. Mireille Enox will star. She will portray an artist who follows and photographs strangers when disturbing events lead her to suspect she's being watched - blurring the lines between real and imaginary. Filming begins October 20th in Brooklyn and Manhattan.

 
October 2, 2014

 

Opening next month

As previously reported, Signature Theatre will be presenting Sam's most recent play, A PARTICLE OF DREAD, his harrowing rendering of the story of Oedipus, the mythical King whose tragic tale was first dramatized by Sophocles two thousand years ago. This Ancient Greek classis is re-imagined as a modern thriller set in the desert of the American West. Tickets go on sale on October 15th. This NY production will feature some of last year's original participants when in premiered across the Atlantic. The production will again feature Stephen Rea, Judith Roddy, Lloyd Hutchinson, Brid Brennan, composer and cellist Neil Martin and director Nancy Meckler.

Stephen Rea said, "It’s exciting that Field Day is traveling to America for the first time with a new work by the great American playwright Sam Shepard, and a real honor to be working with New York’s Signature Theatre to bring this production to an international audience. The play was specifically written for Derry, where Sam walked the walls every day of rehearsals. Derry is alive and embedded in this highly original conversation with the Greeks, offering us, I believe, a very special moment in English-speaking theatre."

 

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