December 23, 2021
Since Sam's play HEARTLESS
opened at the Signature Theatre in NYC, I know of no other staging except at the
Armory Theatre in Seattle in 2018. Known for its characters "stranded somewhere
between abstraction and realism", the play lacked a coherent storyline and
received mostly negative reviews. However, a theater in New Britain, CT called
"Hole in the Wall" is taking a leap of fath and will be presenting it next
The show opens on January 14th and will run for three
weekends on Saturdays and Sundays at 8pm, with one 2pm matinee on Sunday,
January 23rd. Tickets are available now at www.hitw.org for $25 ($20 for
students and seniors) and the traditional Pay-What-You-Can Weekend on Friday,
January 21st to the Sunday matinee.
September 12, 2021
I'm always on the lookout for creative Shepard images in any
medium. The following piece is digital art from Odile Banse. I can't make up my
mind whether I like it or not. Perhaps too dark and moody.
June 23, 2021
I just came across this rare photo of Sam when he did a Q&A
at the University of Minnesota's Rarig Center on May 23, 1996. At the time he
was living in Stillwater.
In a write-up of the event in the local newspaper, he expounded
on New York's theater scene in his often ornery manner.
"Rent," the current toast of New York theater, lost its
reason for being the moment it appeared on the cover of Newsweek. He has
little use for Broadway, where a revival of his play "Buried Child," which
won the Pulitzer Prize in 1979, is running to rave reviews. It is the first
time a Shepard play has appeared on Broadway, which has more to do with
director Gary Sinise's massive production than with Shepard's desire to see
his name in lights.
"It's a tourist deal," he said, dressed in a dark-blue sweatshirt, a casual
vest and faded blue jeans. " 'Cats' on one side of the street, 'Phantom' on
the other. There's nothing wrong with that. But I don't see where my plays
Sam lived with Jessica in Stillwater for nine years. His
choice to relocate to Stillwater was mostly because Jessica felt it important to
raise their children close to the area she grew up in. She purchased the former
bed and breakfast for $415,000 in 1994, made massive renovations and eventually
sold it in 2008 for $1.825 million. You can check
out this page for photos and more information on their home.
* * * * *
Here are some more 1996 photos of Sam preparing for his play
"Chicago" at the Joseph Papp Public
Theater in NYC.
June 21, 2021
On October 28, 2019, a book was published titled "Before
Easter After" written by legendary rock photographer Lynn Goldsmith
and punk rock's poet laureate Patti Smith. The expansive collection documents
Patti’s career in the 70s, which includes "Easter", the third studio album by
the Patti Smith Group, which was released in 1978 and is regarded as the group's
commercial breakthrough, owing to the success of the single "Because the Night".
The tome features hundreds of unseen photographs with Patti writing the
introduction as well as the poetry and lyrics. It is
available for purchase for $700. Limited to just 1,300, each copy is signed and
numbered by both authors.
The book opens with a poem about Patti written by Sam. Lynn
asked him, unbeknownst to Patti, to write something in response to a photograph
she had taken of Patti in 1977. "Patti wasn’t aware when I did that, because I
thought it would be a nice surprise for her," Lynn explains. "I really felt that
Sam got her in a way that maybe I’m not deep enough to. The connection that they
had, and Sam’s ability to poetically verbalize it, I felt would ring true for
* * * * *
Following Sam's death in 2017, the husband-wife team of
Charles Shyer and Nancy Meyers celebrated the 30th anniversary of their film "Baby
Boom" paying particular homage to two members of their cast who had
died - Sam and Harold Ramis ("Ghostbusters"). Shyer directed, Meyers
produced and together they wrote the screenplay.
"Both Sam and Harold were highly accomplished writers, so
they understood the process in a way that perhaps they wouldn’t have, if they’d
been only actors," Shyer said. "Plus, their parts seemed to fit them like a
glove. It’s very sad that they are no longer with us. But we’re so proud to have
had them in our movie."
"Harold and Sam were warm, kind guys who inherently
understood what we needed and understood they were there to serve the film,"
said Meyers. "It’s always a relief and a pleasure to work with actors who are
also writers or directors, but these two were extremely special talents and I’m
honored to have known and worked with them both."
In his role, Sam plays a country veterinarian named Jeff Cooper who woos a city
gal (Keaton's character) from the Big Apple when she moves to Vermont with a
14-month-old baby daughter inherited from a long-lost cousin. This photo is
I'm not into rom-coms but occasionally I'll make an
exception so I will admit that "Baby Boom" was a refreshing non-Woody Allen film
for actress Diane Keaton and a vehicle for Sam to show his sensitive romantic
side. When Sam spoke about working with Diane, he commented, "I had so much fun
doing that movie... We have an extraordinary bond. She’s this fantastic
combination of brilliance in comedy and intelligence."
While several sources indicate that Sam showed an interest in
becoming a veterinarian himself, it seems highly implausible considering he chose
to study agriculture at California's Mount Antonio Junior College after
graduating from high school. It's hard to imagine our playwright sinking his
teeth into biology, chemistry and physics.
And speaking of non-Woody Allen films, among my favorite
Keaton films are "Mrs. Soffel" (1984) and "Looking for Mr. Goodbar" (1977).
That's not to say I don't find Diane hilarious when she's doing her usual
schtick but it does start to become annoying 30, 40 and 50 years later. One last
comment - she was SO miscast in the "Godfather" trilogy.
June 18, 2021
Back in 2013, Sam's play "A
Particle of Dread" premiered in Northern Ireland at The Derry Playhouse.
On learning of the death of Sam in 2017, CEO Niall Mccaughan told the press he
felt fortunate that the American playwright had participated in their Field Day
writing a play for the event. He continued, "He was a true gentleman;
everyone liked him and he took Derry to his heart. Originally when he came to
The Playhouse, he was to stay only a week, but ended up staying nearly two
months! He was a likeable man, and I have to say that I was a bit star struck
when I first met him. At the world premiere of his play, I had to give up my
seat to Edna O’Brien. On my second attempt the following night, I again had to
give up my seat, this time to Neil Jordan and ended up heading to our theatre
bar to chat to our staff. Here I was surprised to find Sam on his own and I
ended up spending a lovely night chatting about life in general."
During his stay in Derry, Sam also met up with Irish novelist
and dramatist Dave Duggan as seen in the photo below.
* * * * *
Sam & Jessica Flashback -
At the 58th Academy Awards at Dorothy
Chandler Pavillion in LA on March 24, 1986. You know he hated these Hollywood
June 16, 2021
When "Kicking a Dead Horse"
opened at the Public Theater in NYC in the summer of 2008, Stephen Rea delivered
a dramatic monologue in the 80-minute play. However, there is a very brief
moment when a second character appears. She's called Young Woman, who wafts
spirit-like out of the grave in a gold-hued slip and a cowboy hat.
She's played by Eliza Piszel who was familiar with Sam's
plays, appreciating his powerful women, barbed-wire poetry and primal passions.
She told the press he cast her over 40-odd auditionees because of her
ethereality, and she trusted the playwright so much, in fact, she would have
played the Young Woman naked, his original idea. Not surprising!
* * * * *
The Black Box Performing Arts Center in Englewood, NJ will
honor Sam's work this summer in The Sam Shepard Play Festival, which will
feature five of his plays. The festival info reads, "Embrace
the style, rhythms, and landscape of Shepard's absurdist vision of the American
West replete with cowboys, gunslingers, swamp-beasts, sultry lovers, seedy hotel
rooms, space freaks, and a major dose of rock'n'roll!"
General admission tickets are $20 and can be purchased at
All performances are at 8 pm.
6/18-20: Fool for Love, Cowboys #2 & The Holy Ghostly
6/25-27: The Unseen Hand, Back Bog Beast Bait & Cowboys #2
7/8: Fool for Love, Cowboys #2 & The Holy Ghostly
7/9: The Unseen Hand, Back Bog Beast Bait & Cowboys #2
7/10: Fool for Love, Cowboys #2 & The Holy Ghostly
7/11: The Unseen Hand, Back Bog Beast Bait & Cowboys #2
* * * * *
The Cloverdale Performing Arts Center in Cloverdale, CA will
present "The God of Hell" this summer. Show dates are July 17th, 24th, &
31st at 7:30pm and July 18th, 25th, and August 1st at 2pm. Ticket info is available at
* * * * *
In the August 9, 2017 edition of Closer Weekly, actress
Sally Kirkland, who had worked with Sam in the 1970 film "Brand
X", opened up about her first encounter with Sam - "I said to him, 'I
know you're an incredible writer, but you should be an actor because you have
such charisma.' And he said, 'No, I don't want to be an actor.' and I said, 'But
I don't think you have a choice.'"
June 14, 2021
Hobo is an art and culture magazine based in Vancouver
and Paris founded in 2002. It is mostly known for in-depth interviews of
artists, and is often associated with the West and a reportage style of
photography that expresses the beauty of natural landscapes. Paying tribute to
Sam following his death, Issue #20 - Winter 2017/2018 - was published.
* * * * *
Thirty-five years ago "Crimes of the
Heart" was released as a film adaptation of Beth
Henley's play, which had won the Pulitzer Prize for drama in 1981. Just two
years before Sam had taken home the same prize for his "Buried
Child". The leads in "Crimes" were the three Magrath sisters played by
three Oscar-winning actresses - Sissy Spacek, Diane Keaton and Jessica Lange.
What a powerhouse trio! Sam, David Carpenter and Tess Harper rounded out the
Though critics praised the film for its screenplay and
performances, it was a box office disappointment. However, it earned three Oscar
nominations - one for Beth's screenplay, one for Sissy Spacek for Best Actress
and one for Tess Harper for Best Supporting Actress. In
an interview, Tess recalled, "If the people who see this film enjoy it anywhere
near the way we enjoyed making it, it will be a tremendous success. I've never
been on a set full of such camaraderie, enjoyment of each other, and regard for
each other. It was a joy to go to work every morning. It was almost like being
back in the dorm in college.'' Tess would go on to work with Sam again when she
was cast in his "Far North" film two years
Interesting that both Sissy and Sam had their breakthrough
roles in a Terrence Malick film and the pair enjoyed a 40-year friendship
starring together in several projects - two feature films, one TV film and two
TV mini-series. The photo below shows them in a press interview for the Netflix
series "Bloodline" in 2015.
This was the third film for Sam to unite with Jessica on
screen, previously working with her on "Frances"
and "Country". These were the early years when
they were mad about each other before the cracks in their relationship began to
create ugly fissures. I love this photo and their body language. It screams "The
Way We Were".
June 10, 2021
Back in September 2006 Sam graced the cover of L'Uomo Vogue
magazine. Sorry I can't offer the Italian article that goes with these photos.
* * * * *
On April 9, 2012 Patti Smith and Sam performed at a benefit gig
at Abbey Theatre in Dublin. At that time I had posted a review by the
The program for the evening, which is now being sold, can be seen below.
The following description of the evening was included with
the sale information.
"It was an evening of music,
readings and anecdotes. Patti sang a new song she wrote in memory of Amy Winehouse. Sam played some Country and Western/ Bluegrass tunes with two local
Irish musicians they had met the night before in the Cobblestone Pub in the
Smithfield Quarter. Patti dedicated a song to Wim Wenders, the German Director of
'Paris Texas' the screenplay of which Sam wrote. Wim was present at the gig.
Patti also dedicated a song to her friend Johnny Depp's son Jack whose birthday
it was that day. Johnny was also present. Sam's daughter Hannah Jane played the
and sang a song in the Irish national language!! The music continued later back
at the Cobblestone Pub until the small hours."
June 8, 2021
Included in Sam's illustrious career were ten films credited
with his work as a screenwriter. Unfortunately, some of these films didn't fare
as well as his stage work. Each of the digests below have been summarized from
an article by journalist Shaurya Thapa. They have been ranked according to the
10. Simpatico (1999)
Based on Shepard's play of the same name, the film is
described as a crime drama starring Nick Nolte, Sharon Stone, and Jeff Bridges.
Despite the star-studded ensemble and the play's acclaim, it turned out to be a
critical and financial failure.
9. Far North (1988)
The film, which marked Sam's directorial debut, is a family
drama revolving around an accident that reunites a dysfunctional family. It
opened to mixed reviews with most of the praise directed towards Jessica Lange's
acting. Additionally, the film also marked one of the earliest on-screen
appearances of Patricia Arquette.
8. Silent Tongue (1994)
On the surface, this film might look like a conventional
Western but River Phoenix's Talbot Rowe is not the quintessential cowboy.
Rather, he's a man grieving the death of his wife as her spirit continues to
haunt him. The Western marked Sam's sophomoric effort as a director and received
a modest response. As is a common theme with most of his works, he yet again
added a healthy dose of family drama to explore the protagonist's flawed
relationship with his father (Richard Harris).
7. Curse of the Starving Class (1995)
Another play adaptation, the film deals with the trauma of a
drunk farmer's (James Woods) family as they struggle to come out of poverty.
Actually Sam was just credited as the story writer while Bruce Beresford wrote
the adapted screenplay.
6. Fool for Love (1985)
Based on Sam's play of the same name, the Robert Altman film
starred the playwright himself along with Kim Basinger. The pair play two former
lovers who meet in a motel room in the middle of a desert. Though not matching
the status of the Pulitzer-nominated play, the film still fared decently among
viewers with its dialogue-driven drama and melodramatic romance.
5. Me and My Brother (1968)
Perhaps the most significant aspect of this film is that it
marked the screen debut of Christopher Walken, while also serving as Sam's first
vehicle as a screenwriter. The chief motive of this cinematic project, directed
by Robert Frank, is to understand the stigmas and societal biases that are
directed towards people with mental illnesses.
4. Don't Come Knocking (1985)
Nearly two decades after director Wim Wenders and Sam wrote
the successful "Paris, Texas", the pair collaborated once more for another road
drama. Sam plays a washed-out Western movie star whose life is filled with
loneliness but when he discovers that he might have fathered a child, he decides
to set out and find this child. Despite the similarities between the two films,
"Don't Come Knocking" could not replicate the iconic status of their first
collaboration. Yet, it's a heartwarming drama that perfectly showcases Sam's
skills both as an actor and as a writer.
3. Renaldo and Clara (1978)
This film is an amusing experimental project directed and
co-written by legendary folk-rocker Bob Dylan. The film is divided into
interviews, concert footage, and dramatic vignettes that were written by Dylan
and Shepard. Most of it was recorded during their time together on the 1975
Rolling Thunder Revue Tour.
2. Zabriskie Point (1970)
Set in the context of the American counterculture movement
that began emerging in the late 1960s. Sam and director Michelangelo Antonioni
helmed a five-member team to author the screenplay. The film aims to explore
civil unrest from the perspectives of two young strangers who fall in love while
wandering around the titular natural landmark. Even though it was heavily panned
by critics and audiences alike, its reputation has improved over the years with
aficionados of counterculture media regarding it as a cult film.
1. Paris, Texas (1984)
German auteur Wim Wenders' landmark film is an exploration of
human loneliness and familial relationships as protagonist Travis Henderson
(Harry Dean Stanton) recollects a phase of his life. He finds himself
walking on a deserted path with no memory of what he was doing in the first
place. As he reunites with his brother and son, he sets out on a road trip to
track down his missing wife (Natassja Kinski). The result is a memorably
unconventional road film, heavily tragicomic in tone. Co-authored by Sam
and Lewis Minor Carson, it earned a Best Screenplay nomination at the BAFTAs.
June 4, 2021
Langley, Washington - Whidbey Island Center for the Arts will
present Sam Shepard's award-winning "Curse of the Starving Class" June
11-26, 2021. The play, a perfect balance of dark comedy and biting satire, is
about a family searching for security, escape, and the American Dream. Director
Deana Duncan says, "Shepard created a poetic reality from a deep 'aloneness;' an
aloneness and isolation we now know more than ever. His messages are as relevant
today as when he wrote them. Maybe more so."
Old Saybrook, CT - Drama Works Theatre Company will present "Ages
of the Moon", a gruff, affecting and funny play. Two old friends are
reunited by mutual desperation and as they sip their bourbon, they reflect and
bicker until 50 years of love, friendship and rivalry are put to the test.
Performance dates are June 25, 26, 27 and July 2 and 3.
May 22, 2021
U.S. distributor Screen Media has acquired international
rights to a substantial part of the Moonstone Entertainment library. The 10-year
exclusive deal will include one of Sam's romantic films - "The Only Thrill"
(1997) with Diane Keaton. Sam admitted, "I like the way the relationships
are drawn - the subtlety of it. Genuine love stories without sentimentality and
gushing are difficult to find." And I agree.
* * * * *
From Patti Smith's online notebook, dated May 20,
Hotel Chelsea balcony shot by David
"In early spring of 1971 I was staying with Sam Shepard at
the Chelsea Hotel. One rainy Sunday I awoke from a dream about Bob Dylan with
remnants of a little poem lingering in my head. Sam was still sleeping so I got
up and wrote it down. When he awoke Sam told me he had a long, complicated dream
where he and Bob were racing through a Texas ghost town on motorcycles while
being chased by a pack of wild dogs. Amazed that we had dreamed similar dreams,
I entitled my poem Dog Dream. Both Sam and I admired Dylan’s work, even calling
the play we were writing together Cowboy Mouth, a phrase borrowed from Blonde on
Original Dog Dream, notebook 1971
"In 1975, Bob was looking for a writer to collaborate with
for a film he was envisioning called Renaldo and Clara. Sam was an accomplished
playwright and had written the script for the film Zabriskie Point for
Michelangelo Antonioni, so I suggested him. Bob called him up, and after some
discussion Sam took the job. Sam toured awhile with Rolling Thunder, cowriting
the script and the song Brownsville Girl with Bob, then went his own way, true
to his independent spirit. Below is a photograph taken by Ken Regan, only hours
before the Rolling Thunder Review started rolling. When I look at the picture
now, it makes me smile, seeing me and Sam with the fellow who once invaded our
dreams, along with a few dogs, on a sultry morning at the Chelsea Hotel."
Three dog night | New Jersey 1975
April 23, 2021
A little known fact has come to surface. How many know that
the title of one of Sam's best known plays - "True West" (1980) has a tie to a
famous magazine? Of course, that magazine is True West and Sam actually had to
get their permission to use that title for his play. This fact was written up in
this month's edition of the magazine.
* * * * *
Now posted at
youtube.com is an offbeat one-act play called "True Dylan". It's
based on an actual interview that Sam conducted with his friend and fellow
musician Bob Dylan for Esquire Magazine in 1987.
It focuses mainly on Dylan's early days in New York, his meeting with Woody
Guthrie, his musical influences, what constitutes ‘truth’, and the greatness of
Sam's quote about Dylan – "Myth is a powerful medium because
it talks to the emotions and not to the head. It moves us into an area of
mystery. Some myths are poisonous to believe in, but others have the capacity
for changing something inside us, even if it’s only for a minute or two. Dylan
creates a mythic atmosphere out of the land around us. The land we walk on every
day and never see until someone shows it to us."
* * * * *
Another Shepard sketch - not sure what the strange eye means...
March 18, 2021
Wonderful homages posted at Barnes & Noble:
American playwright of his generation...the most inventive in language and
revolutionary in craft, [he] is the writer whose work most accurately maps the
interior and exterior landscapes of his society." ...New York Magazine
"If plays were put in time capsules, future generations would get a
sharp-toothed profile of life in the U.S. in the past decade and a half from the
works of Sam Shepard." ...Time
"One of the most gifted writers ever to work on the American
stage." ...Marsha Norman, Pulitzer prizewinning author of ‘Night,
"One of our best and most challenging playwrights...his plays are a form of
exorcism: magical, sometimes surreal rituals that grapple with the demonic
forces in the American landscape." ...Newsweek
"His plays are stunning in their originality, defiant and inscrutable."
February 27, 2021
It's been more than 3 1/2 years since Sam Shepard left the
living world of ours and no one has even hinted at where his body or his ashes
have been laid. Was his body delivered to a funeral home or crematorium? Such a
silence. Even in death, Sam desired privacy and denied his fame. No matter where
his 'remains remain', his spirit abides in all his screen work, plays and
stories. I continue to discover new remembrances written back in the summer of
2017 at the time of his death. Today I'll share an excerpt from Dan Reidy of Men's Journal:
It only takes a glance to see that he packed several
lifetimes into one, all of them cloaked in the mystery that comes with
tight-lippedness and a penchant in his stories for mixing fiction with
autobiographical detail. He liked the road. He knew the highways of the West
as well as a long-haul trucker, and his stop-off points were no less
obscure... Shepard’s characters are ghosts made flesh, cowboys out of time.
Restless, they move through towns whose names seem to tell stories of their
own: Winnemucca, Nevada; Papantla, Mexico.
* * * * *
An apt description of Sam's writing:
Sam Shepard been a boxer, he may well have favored removing the gloves. His
writing has a rawness seldom matched in drama, so words become weapons that open
wounds old and new, while his characters are bruised and scarred by each other
and by the bleak business of being alive."
* * * * *
And today's gift to Shepard fans is this beautiful Timothy White portrait.
February 11, 2021
In the February 1992 issue of Rolling Stone, writer David
Breskin described an interview with Robert Altman, who directed the film
FOOL FOR LOVE, based on Sam's play. Here's
Breskin: When you did "Fool for Love", you said you didn’t
care if it was the worst film ever made, you were going to do it for the
opportunity to work with Sam Shepard on a play he wrote, and have him in it.
Altman; [Resigned.] Yeah, I said that. The idea of me making a film with the
author of a play, and the author playing a part, to me was irresistible. And
because I was in such a catbird’s seat. And I thought it would be fun.
Altman: Yeah, perverse and fun. It turned out to be not much fun at all.
Breskin: You and Shepard had a tough time.
Altman; No, I didn’t have too tough a time, and he didn’t have a tough time. Any
tough times we had, we gave ourselves. But I didn’t like him very much and he,
I’m sure, didn’t like me. He just wasn’t a very nice person during that time.
Breskin: And that’s why it was no fun?
Altman: Yeah. He wasn’t nice. He was very self-oriented. Kim Basinger was just
terrific, I’m crazy about her. And Sam, I think, is very, very good in that
picture. As good as I wanted him to be.
Breskin: How did he end up feeling about the picture?
Altman: Oh, he would never say. I’m sure he hated it. We’d show the dailies, and
he could come in whenever he got up — we’d work all night — and we’d look at the
dailies in the morning. He’d come in late in the afternoon and we’d run the
dailies for him and he’d only look at the dailies that he was in. And of course,
all the flashback stuff, all the storytelling illustrations that I did, he, to
this day — he says he never saw the picture, and he probably hasn’t — he didn’t
know what I was doing, nor did he care, that I was showing something different
than what the characters were telling. And that, to me, that time warp in that
picture, is what made that film so good. I think that was a terrific film, I
really liked that film. I liked the structure of it, I liked the performances in
it, I just liked the picture very much. The bizarreness of it. But Sam just
wasn’t very likable. I don’t know why.
Sources say that Sam was never that eager to have his play
adapted to the big screen nor star in it. He believed Ed Harris, who originated the
role of 'Eddie' at the Magic Theatre in San Francisco, was a better choice.
Altman wanted to cast Jessica Lange as 'May' but she was pregnant at the time so
the role went to Basinger. And a major disappointment for Sam was that he believed he would be part of the
editing process, which never happened, so he was definitely not a happy camper.
In the September 1988 issue of Interview magazine, he
explains further - "I felt very uncomfortable. I was not having a good time. I
didn't get off on that (laughs). First of all, this was a situation I tried to
avoid for a long, long time - acting in my own stuff - because I always felt it
was silly and pretentious. You know: acted and written by and all that crap.
Appearing in! Jesus... I didn't feel comfortable with that at all... I liked
Altman's stuff up to a certain point. And I was fooled into believing that he
was going to have integrity in this thing. Later on, I just felt he kind of
shined me on. That surprised me. I just felt like he blasted through the thing
and didn't give it everything he told me he was going to give... I'm never going
to get into a situation where I have somebody else breathing down my neck. It's
just not worth it - no matter how much money they say they're going to give you.
I was very lucky on 'Far North' to get final cut and full artistic freedom."
Photographs for Interview by Herb Ritts -
"Fool for Love" did become more of a family affair when Sam's
sister Sandy Rogers was asked to participate in the soundtrack. She recalls,
"Sam called one day in April and said he'd like me to write some songs for the
movie version of his play. He had begun production in Santa Fe and had played an
old tape for Robert Altman of me singing - a tape that he'd been carrying around
- some of my very first songs... I went immediately to the basement apartment to
write songs for the movie and got those off to Sam in three days. Sam called
back right away and said he loved them... He would submit them to Altman. Altman
loved those - and wanted more, wanted to see if I could do the whole
soundtrack." In the end, Sandy performed eight of her songs. However, her "Let's
Ride" became the title song and "Fool for Love' didn't even make the album
though it appears on the soundtrack for "Reservoir Dogs".
I rather like the film's Italian poster -
February 6, 2021
Though Sam was no longer living with partner Jessica Lange in 2009, he admits he did give her some Valentine's Day gifts the following year -
"Two really good bottles of wine. Really good ones. Oh, and a tape measure.
Because she was putting up a painting." A new
gallery has now been posted featuring the famous pair photographed by
Bruce Weber in two Vanity Fair issues - October 1984 and April 2006.
* * * * *
While Sam was in Paris with Patti Smith during the spring of
2011, he attended the Ines De La Fressange Auction Breakfast at Cafe de la Paix
on May 24th. The proceeds of the event went to Mecenat Chirurgie Cardiaque
Enfants du Monde, a charity that allows children suffering from heart
malformations to come to France and receive operations when they cannot be
treated in their home countries. These photos show Sam chatting with Ines -
French model, aristocrat, style icon, fashion designer and perfumer. [Have never
understood those sunglasses]
February 1, 2021
The November 1988 edition of Esquire magazine featured
Sam on the cover with an article by Jennifer Allen, who in later years admitted,
'I wrote a piece about Sam Shepard for Esquire. I pretended to be interested in
his work but I really wanted to know about Jessica Lange."
The photo shoot for the magazine was done by Bruce Weber but
not all the photos were published in Esquire. The following is the introduction
by Jennifer Allen:
He still has the tattoo on his left hand, the one he got
from a Mexican gypsy while whacked out under Patti Smith’s spell. She got a
lightning bolt; he got a hawk moon because he was born under a skinny
November moon. It is a dark, pencil-thin arc on the back of his hand, and
seeing it is a jolt, like looking at an artifact, a reminder that the
forty-five-year-old man in a freshly pressed white shirt has lived several
Once he lived in New York, the crazy, druggie downtown
boy genius who convulsively wrote his plays one after the other, almost as
if he had to be rid of them, to jettison them. Once he moved into the
Chelsea Hotel with Smith and, legend has it, wrote with her the screaming
sad play "Cowboy Mouth" in two nights by pushing a typewriter back and forth
across a table.
For some years now, he has sworn off cities with a
vengeance, taken to badmouthing the Sixties and the plays he wrote then. He
is a family man with three children - a son by his first marriage, two small
children by Jessica Lange - a movie actor, one of the leading playwrights of
his generation, a screenwriter, a director of his own plays and now of his
He lives on a farm twenty minutes outside a small city in
Virginia. He agrees to meet at a local inn of his choosing. He is recognized
the moment he enters, people whisper in his wake. The face is bony, sharp,
sharper with age. He has a pronounced widow's peak, straight hair falling
down on either side and stopping abruptly, as if it has been chopped by
blunt scissors. His eyes are blue, almond-shaped, his teeth are not good.
When he speaks, he often tucks in his chin just slightly, as if he would
rather swallow the words than say them. He has a soft voice with a slight
twang; he drops his g's and pronounces his name "Sam Shepurd". He smiles
January 30, 2021
El Europeo magazine, published in Madrid years
ago, featured a familiar pair on its cover in its
July/August 1989 edition. However, the original Bruce
Weber portrait has been horizontally flipped.
When Sam was living in New Mexico in 1984, fashion
photographer Bruce Weber did a photo shoot with Sam and actress Jessica
Lange. One of these days I will post those photos. Weber, famous for his
stunning black & white portraits, photographed Sam through the years for
several other major publications. The following photo should look familiar
because it's the one I use at the top of this page. This is the May/June
1994 issue of Arena magazine.
January 21, 2021
2018 a Croatian translation of Sam's final book, SPY OF THE FIRST PERSON, was
published by Antipod with the translation done by Martina Klasić. The book
is called UHODA. In the last year of his life, as the degenerative
disease ALS made his muscles progressively useless, Sam finished this book
about a man suffering from a similar but unnamed illness. An unidentified
first-person narrator looks across the street at a strange man in a rocking
chair on the porch. It soon becomes clear that they are the same person, a man
observing himself from the outside, his failing body so alien that he doesn’t
recognize it as his own.
Uhoda means "care" and I suppose that references all the
loving care his family provided for him in his final weeks. According to his
sisters, when Sam was unable to hold a pen, he spoke into a voice-activated
recorder. When he could no longer hold the recorder, he dictated to his daughter
Hannah or his sisters Roxanne and Sandy, who did the transcription and read the
notes back to him. Roxanne indicated, "Sometimes he wanted to dictate things at
night before going to sleep. I kept a notebook close so that he could just ask
to write something down and it could be dictated on the spot." Sandy said, "He's
a writer so he needed to write every day to be himself, and that was our
mission, to help him be as close to normal as possible."
And Hannah added, "The line between fact and fiction in his own work was always
very ambiguous to Sam, I believe. Many things blended together for him."
Toward the end of the book Sam mentions his sons Jesse and
Walker - "The thing I remember most is being more or less helpless and the
strength of my sons. A man pushed by his sons in a wheelchair from a crowded
restaurant to a street with nobody on it. A man sitting on shaggy wool with a
Navajo blanket across his knees."
In this Croatian edition, the following two artistic illustrations represent the
beginning and end of the story. The photo of Sam was taken from a January 2016
photo shoot for The New York Times.
January 19, 2021
Earlier this month Sam's daughter Hannah was caught by the
paparazzi walking in Manhattan's West Village on a cold day.
Since her father's death, Hannah has worked as an archival
producer on three documentaries that focus on racism and justice. The Women in
Media web site gave the following biography:
Shepard studied writing at Sarah Lawrence College and received master’s degrees
from the National University of Ireland and Fordham, where she was a teaching
fellow and a Loomie Prize winner. Engaging with history, the arts, and social
justice, Hannah is drawn to projects that cross boundaries. She has worked as a
researcher, educator, and script reader with institutions including the New York
Public Library for the Performing Arts, the Museum of the City of New York, The
Public Theater and the Louie B. Nunn Center for Oral History. As an archival
researcher and producer, Hannah has worked with filmmakers including Rebecca
Miller, Nancy Buirski, and Catherine Gund. In 2019 she was nominated for the
FOCAL Jane Mercer Researcher of the Year Award. Her fiction has been published
by W.W. Norton, Fiction Southeast, and Spout Press.
Fordham's Loomie Prize was awarded to Hannah for her paper,
"Vanished in Plain Sight: Scots-Irish Presbyterians in Wisconsin, 1830-1890".
Her paper argues that Ulster Presbyterians brought their unique brand of
political and religious radicalism, with its roots in their Irish experience,
with them to Wisconsin, influencing the early character of a state which has
been known equally for its progressivism and its evangelicalism in the
nineteenth and twentieth centuries.
It appears that those excellent writing skills are in the
* * * * *
I came across this art board print of Sam by illustrator Paul
Cemmick. I don't see much resemblance except for his hair. The shirt says "Days
of Heaven" but the background shows him as Chuck Yeager coming out of the
flames. Personally, I don't think it blends very well.